As he approaches it, if he looks at it, he can see that the girl does begin to move. It's sort of like the five-second preview that plays over video clips, her lips moving in a soundless prayer.
If he touches it, though, it fades into this image. The title of the painting, blank before, slowly fades in letters to reveal Family Portrait.
There is a sense of deep regret here--a wistfulness that this scene surely can't be real. This is not how the story ended. But even so, for just a moment, this is what you want to believe. You can imagine it.
Re: THE GALLERY OF MEMORIES
If he touches it, though, it fades into this image. The title of the painting, blank before, slowly fades in letters to reveal Family Portrait.
There is a sense of deep regret here--a wistfulness that this scene surely can't be real. This is not how the story ended. But even so, for just a moment, this is what you want to believe. You can imagine it.