Or rather, it's a black void, a sense of utter and completely nothing that lies behind the door. What light there is in this outer room just appear to fall into the darkness, completely swallowed out.
He can see flashes of color among the broken rubble of all four ruined doors. The only one that is in immediate plain sight is the large--but broken--gem in front of the second door. It's like the size of a child's fist, but cracked nearly in two.
You see a young woman, one hand pressed to her eye. She looks so lonely, watching someone that you know she is too afraid to speak to, strangled in the expectations of her role. Regret is a sharp pain in one eye, the scent of water and flowers as she sinks below the surface.
It fades quietly, like bubbles rising to the surface. But in the base of the broken statue, there is a depression that seems like the gem would fit there.
He can see them at the other three doors, if he looks. They're partially hidden, but in some cases some are more obvious than others: something bone-white at door one, a flash of crimson at door three, and something white at door four.
The item appears to be a wolf fang, unbroken and gleaming. Picking it up triggers another memory:
You see young man, looking so, so tired. You want so much to reach out to him, when it looks like a strong breeze might knock him right over, but you know that he will certainly reject it. Regret is a knife in the back, a wolf's lonely howl in the distance.
As with the gem, there is a depression in the broken statue that stands before the first door. He'll find a similar one for the other two, as he searches.
As with the fang and the gem, the items he finds will trigger more flashes: a delicate crimson poppy (a young woman, wreathed in flames, weeping beside the giant, broken body of her lover. Her grief is something older and more piercing than you can understand. Regret is the weight of millenia, born down upon her shoulders, an emptiness where love once existed and has been taken away.) and a neatly-folded handkerchief with a kissmark in the corner (a man laughing cheerfully, seated across a campfire from you, exuding a warmth that you feel has to be genuine. Regret is your own loneliness, the greater understanding of a camaraderie and team you could have had, but has been taken from you), but they each fit into their respective pedestal.
And then, behind him, a voice: "You're really looking to tidy this place up, huh?"
Unfortunately, there are a lot of up and at 'em dead people in this heart,
"You'll wanna go where the people are alive," he says. He's not exactly openly sympathetic, but there is something a bit softer in his voice. "Fujimaru remembers more than she should, but that isn't gonna help her."
The wolf narrows his eyes further, and then he shrugs.
"We were never meant to exist in the first place," he says. "Nothing but a dead end that should have been cleared away long before anyone found us... but here we are."
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Or rather, it's a black void, a sense of utter and completely nothing that lies behind the door. What light there is in this outer room just appear to fall into the darkness, completely swallowed out.
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stepping back to take stock. are there any items in the room? interactables?]
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You see a young woman, one hand pressed to her eye. She looks so lonely, watching someone that you know she is too afraid to speak to, strangled in the expectations of her role. Regret is a sharp pain in one eye, the scent of water and flowers as she sinks below the surface.
It fades quietly, like bubbles rising to the surface. But in the base of the broken statue, there is a depression that seems like the gem would fit there.
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he places the gem in the depression and goes to look at the other flashes of color in the rubble.]
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You see young man, looking so, so tired. You want so much to reach out to him, when it looks like a strong breeze might knock him right over, but you know that he will certainly reject it. Regret is a knife in the back, a wolf's lonely howl in the distance.
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And then, behind him, a voice: "You're really looking to tidy this place up, huh?"
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—I'm just trying things.
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"Trying to see what sticks?"
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wolf]
Trying to find a ring.
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"A ring? Haven't seen anything like that here."
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I was afraid of that. Do you know if any of these doors are operable and go somewhere . . . useful?
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"I don't know a whole lot about this place as a whole. I'm stuck here. But if you're looking for a way through these doors? Don't."
His tone goes far more serious at that, his eyes narrowing. "There's nothing for you beyond 'em. There's nothing for anyone, on the other side."
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Then I should go back? Try a different place?
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"You'll wanna go where the people are alive," he says. He's not exactly openly sympathetic, but there is something a bit softer in his voice. "Fujimaru remembers more than she should, but that isn't gonna help her."
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. . . I'm sorry. That you're stuck.
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"We were never meant to exist in the first place," he says. "Nothing but a dead end that should have been cleared away long before anyone found us... but here we are."
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it's a slight bow instead, a goodbye]
You have my sorrow, then. Forgive me that I can't stay long.
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"Yeah," he says, not unkindly. "Get out of here. This isn't a place for someone like you."
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